With the masks I carved and two Venetian masks (one of which is my colorful knockoff), I have a mini mask collection in my apartment. I chose the mask I did because it was small and I thought it would transfer best onto the Sketchbook.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, October 25, 2014
Sketchbook Stencil
My stencil is an image of a knock-off Venetian mask I got as a tourist in Italy. I chose this subject because I love masks. I find them incredibly powerful objects. Two years ago I did a study abroad program in Bali, Indonesia where I wrote my final thesis on a highly sacred mask there called Topeng Sidha Karya. That mask was more than an object; it was a character that could complete the most sacred rituals during the most important ceremonies. This project was very educational and I even got to carve two (non-sacred) masks myself. While a spirit infused mask does not exist in my culture, I still find masks to be potent objects. I am having trouble describing why, but I find meaning in the way they can hide and reveal, both tangibly and symbolically. I love the idea that masks are performative objects and can come alive with each performer that dons one. I like stories and I love masks as a method of storytelling. That idea of life within the object holds great power and meaning for me.
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