Margarita Cabrera is the artist that I chose to talk
about from this first week’s presentations. I found her work to be very powerful
because it makes you reflect about deeper meanings behind ordinary objects.
The Soft Sculptures series is very intriguing to me.
The pieces themselves are not very visually striking, but I find the hidden context
and meaning behind them to be very powerful. One of the pieces that our classmate
Kaelyn Rodriguez showed in class was the pink sewing machine. I immediately
connected this object with women’s struggles, but also with maquiladora workers and the female
homicides of Ciudad Juárez, Mexico. First of all, the subject matter is the
main tool of the thousands of women who work in sweatshops on the border to
produce clothing for export. Sewing machines are generally associated with
female labor. In this case, the sewing machine is also pink, which is a “feminine”
color. The fact that Carbrera left the threads attached to the machine also is
a reference to the process of using the machine. And finally, the material she
used is vinyl, which for me refers to the idea of “cheap” mass production and
consumerism. The “soft” quality of the sculpture inspires curiosity in the
viewer, and also gives the object the life-like presence of having a body.
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