I grew up in an inner city El Salvadorian neighborhood of Chicago so La Virgen de Guadalupe was always around. My family is not Catholic, but many of my friends' were. I considered her an emblem of femininity, even before I knew what my femininity meant. She was less of a religious figure but more of an artistic element in street art and home decorations that I always remember was vibrant and colorful, as most of the women in my life are. I feel she represents far more than a Catholic story at this point, she is a cultural icon that provides a feminine grace and aesthetic to any environment she touches.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, October 3, 2015
RoxanneMorrison
I grew up in an inner city El Salvadorian neighborhood of Chicago so La Virgen de Guadalupe was always around. My family is not Catholic, but many of my friends' were. I considered her an emblem of femininity, even before I knew what my femininity meant. She was less of a religious figure but more of an artistic element in street art and home decorations that I always remember was vibrant and colorful, as most of the women in my life are. I feel she represents far more than a Catholic story at this point, she is a cultural icon that provides a feminine grace and aesthetic to any environment she touches.
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