This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Monday, April 16, 2018
Debra Blake's Chicana Sexuality and Gender
In her book Chicana Sexuality and Gender: Cultural Refiguring in Literature, Oral History, and Art, Debra Blake explores the manners by which U.S.-Mexican women conceptualize and, more importantly, re-conceptualize popular cultural motifs to form a narrative of their experiences, and analyzes how these re-conceptions fit into a larger U.S. Mexicana cultural movement. For instance, Blake examines the representations of indigenous Mexican goddesses and La Virgen de Guadalupe both from the perspectives of working-class U.S. Mexicanas and their professional intellectual counterparts, and places these representations within a larger feminist framework. “Chicana feminists,” Blake argues, “reorient the issues by making use of various strategies and theories to accomplish their aims … They apply diverse strategies and [feminist] theories simultaneously and provisionally to outmaneuver various adversaries.” By invoking indigenous Mexican goddesses, then, Blake maintains that Chicana feminists form a historical tie to their Mexican identity while simultaneously differentiating themselves from white or Mexican feminists by embracing a feminism that also recognizes oppression sourcing from race or class.
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