I really
enjoyed listening to Laura Alvarez talk about her artwork but more specifically
about those who influenced her throughout her life, her parents. Every time I
read or see anything in regards to art the only thing displayed is what
interests the artists themselves. However, Alvarez doesn’t just show her
interests but instead takes her parent’s lives and incorporates that into her
artwork. From her art installation titled Double Agent Sirvienta, or DAS for
short, one painting that I think represents her parents and herself the most is
titled I’m With My Nanny. The nanny
represents her mom, who was a nanny, and the bomb, in my opinion, represents
her dad who used to work for the military. By placing the nanny in a running
stance while holding the baby, it depicts how hard women really work and the
fire could represent the harsh conditions that they must sometimes endure.
Also, by placing her in such an active stance, Alvarez is giving women the
agency they have over their own bodies.
Another very beautiful
touch that Alvarez adds to her painting is her representation of the Virgin of
Guadalupe in the nanny’s uniform. This best relates to what Blake refers to as Guadalupe
being a public expression of identity. By incorporating Guadalupe, Alvarez gives
the nanny a Mexican identity. It’s a representation of the working class women
as opposed to those in middle class. Alvarez exposes the hard work that working
class women of color must face on a daily basis. Moreover, Alvarez uses what
Blake calls countermemory in order to depict the nanny as more than just a
worker. That is, the nanny has a separate life away from being a worker. Through
the Double Agent Sirvienta, Alvarez proved that women are capable of breaking
gender norms and are in control of their life.
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