This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, October 31, 2015
Week 5: Stencils
Personally, I thought that choosing a stencil for my album
was difficult so instead I chose four, all of which are of utmost importance to
me and my identity. On the front, I stenciled the Adinkra humility and strength
symbol and included my mother’s birthday in roman numerals (vi xxviii mcmlx or
June 28, 1960). The reason I chose those stencils was because my mother is the
reason for my being; almost everything I do has been driven by her motivation
and inspiration towards me. An immigrant
from Mexico, my mother grew up poor, never went to school, and has known what
it is to work since the age of five. She refuses to believe in materialism and
always tells me that silence is the most powerful scream; it is for those
reasons she has been the most humble person I know and has taught me to be the
same. Additionally, she is who taught me strength and reinforced my womanhood even
when sexist individuals have stigmatized that identity. On the back, I decided
to stencil in a pair of wings which typically symbolize imagination, thought,
freedom, victory, and the Ankh cross right in between both wings. I chose the
wings primarily because I am an independent individual; I enjoy being alone and
I like to view opportunities and the world as boundless, which metaphorically
represents a bird. To conclude, I chose the Ankh cross which symbolizes eternal
life in Egyptian religion. However, the Ankh cross has always looked like a key
to me so I put the wings and cross together because I thought they were
harmonious in meaning―I hold a universal key which opens doors to wherever life
may take me.
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