This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, November 7, 2015
La Feria en Reynosa
La Feria en Reynosa was painted in 1987
and is Gouache on cotton paper. Like almost all other paintings by Garza it has
a positive message and shows the culture she grew up with. What we see is a
fair in Reynosa and we see the merging of two cultures. The barbed wire is
technically the only thing separating the United States and Mexico and it may
be able to keep the people in their designated sides but it cannot keep the
culture out. “A barbed wire fence and two mesquite trees, ubiquitous features
of the borderlands, demarcate the fairgrounds edge.”(3) Our eyes meet Mexican
food, pots, and dolls being sold. On the food stands we see decorations, which
clearly originated from Mexico, but signs are written in Spanglish (English and
Spanish mixed.) Some women in the photo look Mexican because of their hair or
clothing, then there are women with clothing that could be attributed to the
US. Also every one is placed in horizontal parallel lines, which is something
that Garza liked to do. The placement of people and objects in her paintings
were clearly thought out.
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