Celia Alvarez Muñoz by Roberto Tejada is an in-depth and poetic look at the artistic
journey of Alvarez Muñoz. Tejada’s take on Alvarez Muñoz’s career serves as an
inspiring reflection of the artists success of incorporating her own culture,
personal (adult & childhood) experience, and her civil/artistic
responsibilities to shed on matters that await justice.
An exhibit that
really moved me and I felt really strongly about was Fibra y Furia:
Exploitation Is In Vogue 1999-2002. This exhibition, being the predecessor
of an earlier work Fibra 1996, consisted of long fabric draped from the
ceiling, visually expressive clothing and photographs of clothing, along with a
large sandbox with women’s footwear of all kind laid out within the sandbox. On
the wall in front of the sandbox was a photograph of a woman’s legs who had
been murdered and left, a victim of the Juarez serial killings, along with
actually testimony and a list of the women murdered from 1993-1995. The entire
exhibit was to urge political action and mass media to actually cover the
stories properly of the atrocities/murders that were occurring to women just
across the border. The media had not covered the stories appropriately or even enough. Many people that saw this exhibit were actually informed by Alvarez Muñoz of what was actually happening. This work made me think about the atrocities that are continuing throughout Mexico and Latin America that are still not covered by the media and how artists can use their practice to inform the public and ignite political mobility.
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