Stories your Mother Never Told You, Alvarez Munoz’s contribution to
the Snug Harbor Cultural Center’s exhibit entitled Family Stories, builds upon the theme of a multiplicity of
narratives coexisting uneasily together. One portion of Munoz’s contribution, “wonder cabinet”, is a nod at 16th and 17th century
collecting habits that positioned objects of curiosity together tightly in a
room with no regard to subject matter. A fine art sculpture could be placed on
the same shelf as a stuffed carcass in a 16th century wonder
cabinet. Similarly, Munoz’s cabinet has several drawers that seam incongruent
in theme, yet all tell stories of personhood. One drawer is filled with
individual accounts of memories, while another is filled with dental casts.
Looming over the cabinet is a tree of life, which biblically is a tree of
knowledge, painted on the wall behind the cabinet. Visually the tree of life
seems to grow from the cabinet implying that knowledge grows from a variety of
understandings of the world. However, this multiplicity of understandings is
not readily reconcilable to the viewer. Perhaps the cabinet represents a
hierarchical form of knowledge, an epistemological question, or maybe a
dialogic understanding of memory.
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