Yolanda Lopez’s 1978, “Walking Guadalupe” is one of her most famous pieces of artwork. This image of La Virgen gained international recognition for its radical depiction of a religious figure. Lopez is known for her use of popular icons in her artwork, including prominent religious figures central to the Chicana community. Lopez has always been a prominent warrior for social justice. She has raised awareness for racial stereotypes and specific coexisting Mexican cultures, which is transpired through her art.
La Virgen is a respected and recognizable symbol in many Mexican households. She is widely accepted as the “ideal women”, relaying to purity and innocence. Gender norms are no stranger to Mexican culture. Lopez’s “Walking Guadalupe” challenges a lot of these gender norms. She is normally shown as a maternal, conservative, wholesome figure. She fits the bill for how Chicanas are supposed to look, act, and present themselves. Lopez does a great job of creating a new demeanor for La Virgen. Through satire, she opposes the patriarchal and masculine pressures of the Mexican community. Her interpretation and manipulation of this figure has created a ““wrinkle mouther chortle” as described by author Karen Davalos (20). Lopex removes La Virgen from her pedestal, bringing her down to the level of ordinary women. By letting her walk with a shorter skirt and heeled sandals, La Virgen is taking charge of her body, behaviors, and appearance to others. Her new found freedom is granted through Lopez’s art.
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