Carmen Lomas Garza, Camas para Sueños, 1985, gouache on paper, Smithsonian American Art Museum, © 1985 |
One piece that illustrates the dichotomy between both remembrance
and dreaming is Garza’s Cama Para
Suenos(1985). This image depicts a moment from Garza’s childhood where her
mother is making the bed while Garza sits on top of the roof with her sister. As
her mother spreads the sheet across the bed, Garza points to the sky dreaming
of becoming an artist. This image was painted with gouache on paper and
although this scene depicts a memory it seems to more so represent the space of
dreams or hopes. The juxtaposition between mother and daughters isn’t a direct
memory(The viewer can’t be certain that the young Carmen Lomas Garza is aware
that her mother is beneath her at the exact moment where she points to the sky)
but rather a reimagined moment. Young Garza pointing to the sky seems to beckon
the viewer to look towards greater possibilities. All of the imaginative
possibilities of dreaming are couched within nostalgia and a precise moment of
Garza’s past. I love her work because in my opinion she's able to convey a full range of imaginative possibilities while contemplating very personal memories. Everyone in her more personal paintings exist in relationship to each other, and they also exists as more than victims of oppression. Her paintings are simplistically beautiful yet they show the complexity of Mexican community.
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