Rasquachismo
is neither an idea nor a style but more of an attitude or a taste. The term has
been associated with vulgarity and bad taste in the United States and Mexico,
which infers a negative connotation. It encompasses the working class and
Chicano communities. It was reinvigorated with the 1960s Chicano movement. It
got associated with rejecting the whiteness of an experience. During this time
visual arts such as murals and posters were significant. The art reflected
everyday traditions, and paid homage to sensibility by restating its premises.
It was a response to lived reality, along with having a “underdog perspective”,
such as a lower class/ view from the bottom. The Intention was to provoke the
accepted “superior” norms of the Anglo- American with everyday reality of
Chicano cultural practices. The art associated with the term uses the most
basic, simplest, and quickest means necessary to create the desired expression,
in essence, creating the most from the least. It is stated that things are held
together with spit, grit, and movidas. The term can also be used to reference
the bicultural inspiration from which these artists draw inspiration. The
attitude of rasquachismo is best exemplified in everyday life and forms of
popular culture. Some examples presented at the end of the chapter were
chanclas, shopping at JCPenney, Born in East L.A movie. It states that,
“To be resquache is to be unfettered and unrestrained, to favor the elaborate
over the simple, the flamboyant over severe”.
The
term domesticana emerged due to an attempt to theorize the critical nature of
domestic material. Cultural influences related to home, community, and their
church all fed into the work of Chicana artists. The day-to-day experience of
working class Chicanas was represented through home embellishments, home altar
maintenance, healing traditions, and personal feminine pose or style. The home
altar is most prominent, which is established through continuities of spiritual
belief and challenging male -dominated rituals within Catholicism. It is often
located in the bedroom which is considered a private place some examples of
this are decorative elements such as-flowers, family photos, candles and
offerings, along with memorabilia, saints, and icons. Domesticana comes as a
spirit of Chicana emancipation grounded in advanced education and to some
degree Anglo- American expectations in a more open society. A characteristic of
domesticana are techniques of subversion through play with traditional imagery
and cultural material. Through this term, Chicanas were able to challenge
existing community restrictions regarding the role of women. Since many Chicanas
are raised in houses that praises male over female, and old over young, this
expression of art is important and powerful for women to see because it
challenges these superior norms.
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