From
this week’s presentations, I’m most interested in learning more about Mexican-American
artist Margarita Cabrera. I’m always drawn to artists who embrace craft and
other non-conventional materials in their work. I’m also interested in politically
engaged and collaborative artworks, all of which Cabrera is exploring. I’m particularly
excited about her soft sculptures of cacti, aloe vera, agave, and other plants
from the American southwest. I love soft sculptures because they subvert the
viewer’s expectations and encourage closer/deeper inspection. It’s a cactus,
but it’s made out of fabric—but it’s not just any fabric. It’s fabric
from uniforms worn by U.S. Border Patrol officers. Colorful drawings of homes,
people, hearts, stars, crosses, and more are sewn onto the surface of the repurposed
uniforms. Cabrera, an immigrant herself, hosts embroidery workshops where she makes
these soft sculptures in collaboration with local immigrant communities. They share
their stories with one another which informs the kind of imagery that gets
embroidered onto the plants. I think Cabrera’s use of art as a means to form
community and initiate necessary conversations surrounding border relations, labor
practices, and immigration is inspirational and groundbreaking. She is working
directly with the community she aims to serve, empowering one another through artistic
collaboration in addition to sharing and documenting their experiences,
struggles, and achievements. This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Thursday, March 12, 2020
week 9 - margarita cabrera
From
this week’s presentations, I’m most interested in learning more about Mexican-American
artist Margarita Cabrera. I’m always drawn to artists who embrace craft and
other non-conventional materials in their work. I’m also interested in politically
engaged and collaborative artworks, all of which Cabrera is exploring. I’m particularly
excited about her soft sculptures of cacti, aloe vera, agave, and other plants
from the American southwest. I love soft sculptures because they subvert the
viewer’s expectations and encourage closer/deeper inspection. It’s a cactus,
but it’s made out of fabric—but it’s not just any fabric. It’s fabric
from uniforms worn by U.S. Border Patrol officers. Colorful drawings of homes,
people, hearts, stars, crosses, and more are sewn onto the surface of the repurposed
uniforms. Cabrera, an immigrant herself, hosts embroidery workshops where she makes
these soft sculptures in collaboration with local immigrant communities. They share
their stories with one another which informs the kind of imagery that gets
embroidered onto the plants. I think Cabrera’s use of art as a means to form
community and initiate necessary conversations surrounding border relations, labor
practices, and immigration is inspirational and groundbreaking. She is working
directly with the community she aims to serve, empowering one another through artistic
collaboration in addition to sharing and documenting their experiences,
struggles, and achievements.
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