Claudia Zapata tracks the rise of digital artwork in her essay, The Rise And Impact of Chicano Graphics. The movement was foreign, but slowly gained traction among the masses as it provided a new medium for aspiring artists and moved away from the traditional sense of artistry thereby inspiring an entirely new subculture of art. Several artists shifted over and were able to use their digitized art on a larger scale, one of the better examples being the designs put forth at the center of Times Square in New York. The introduction of these pieces were part of an effort by Cesar Chavez and Barbara Carrasco to offer opportunities to artists to showcase their work on a different platform. This move created a new approach to spread meaningful messages and serves as an accurate representation of the chicano community.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Monday, November 8, 2021
Claudia Zapata
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