Showing posts with label 2020OliverJacob. Show all posts
Showing posts with label 2020OliverJacob. Show all posts

Thursday, February 27, 2020

Oliver - Week 8 - My response to Monica Kim Garza

I’ve always wondered why anyone can’t wear heels while they work out. In the Monica Kim Garza painting below of an unknown name the answer is found to be- Hell yes, you can wear heels for anything. It’s been so interesting to read the responses to Garza. She is also the most responded to artist of the first presentation round and to me that is really something. It’s something because out of all the artist Garza seemed to be taking the most risk. In an interview with Material Magazine, Garza says, “ I just never imagined clothes. I thought about the beautiful shape of the bodies.” This idea of the naked body as art seems to be as old as art, but Garza pushes that play into a fabulous good time. That word play is a word I see in all the art that I have seen from Garza. She is playing with body image and this idea of nakedness as natural in a casual sense instead of a forced, structured sense and I believe this is why the class had such a response.
Everything in the painting below is warm. The orange space, the warm pink of the heels, and the familiarity of the figure is warm and non-judgmental. Even still this is a woman that means business. She has her hair up and her nails done and she is going to do this damn workout in her own time and her own way with a splash of underwear and definitely no bra. The position of her body also goes right in accordance with the rest of this display of joy and fun. The flowers and the greenery then just add to this playful good time. This painting, this woman, and it’s painter are all not taking themselves too seriously and in that space so much can be conveyed that is important. In that space all sort of positive energy flow. 

Thursday, February 20, 2020

Oliver - Week 7 - Shizu Saldamando

The moment I saw the work of Shizu Saldamando, I was taken with how it struck me. I think that needs to happen with art from the perspective of the viewer.  Saldamando concerns herself with people in their complex everyday nature, but she takes that everyday into a hyper focus that makes it extraordinary. Born and raised in the Mission district of San Francisco, Saldamando has lived in Los Angeles for many years where she does her work and is an artist in residence at Oxy Arts in Highland Park. The people around Saldamando are her inspiration and it people that are found in her work often through a unique and personal style of portraiture. 
Upon a four paneled bed of gold, a couple in the painting below embrace and kiss leaving no space between them. The painting is entitled Cat and Carm and was first displayed in 2008. I have found only two paintings that involve this use of gold leaf from Saldamando with the other entitled, Carm’s Crew. The massive use of gold leaf immediately makes a striking moment. The usage of space and its emptiness speaks to the artists Japanese heritage due to this usage of space often being seen in centuries of screen art in Japan. The usage of gold leaf also undeniable connects to the art of the Christian church and their glorification of their holy individuals. When going closer into the painting on the embraced couple a sort of magic occurs. The gold then acts as a way to highlight the gloriousness of the embrace and acts as a celebration. It’s as if the minds of the lovers in the embrace are also being displayed through the gold being that it is illuminous and full of wonder, richness, and a sense intense love. These are two ordinary people sharing a moment of their love, but through their position on panels and the glistening of the gold a moment of the ordinary is turned into a moment that celebrates, honors, and validates the individuals that have become one. Transforming the ordinary into the extraordinary through capturing a moment in time and the essence of people is the hallmark of Saldamando and one that she does with incredible individuality and skill.