This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Showing posts with label F2014RomoJennifer. Show all posts
Showing posts with label F2014RomoJennifer. Show all posts
Tuesday, December 16, 2014
Final Post
Throughout my course work here at UCLA I have been exposed to an array of things and problems found in the Chicano community. It never occurred to be that you can engage in activism through art. I, myself, have never personally drawn much more than stick figures or an elaborate heart across my notebooks. This class definitely challenged me in different ways and I understand now why art is important. It should be fundamental in our education system, and unfortunately the high school that I attended did not provide us with any art classes. This class also shed some light on the corporation of Walt Disney and what it represents. Given my strong affiliation with the resort and the company in general, I am glad that I was exposed to it in a different light. My favorite part of the class was learning about different artists because they are reference in my other Chicano classes. Although I do not consider myself an artist, even after my sketchbook, I enjoyed participating in this class.
Saturday, December 6, 2014
Chicana Printmakers
Throughout the quarter
we have learned about different types of artworks and the accessibility that
people have to certain art pieces.
A technique we learn about is screen printmaking and how Chicana artist
use this technique to make it more accessible. Sanchez discusses an array of artists in her article and provides
analysis of different artworks. Every
artist depicts different imagery but most engage in political activism through their
artwork. These pieces of art can
more easily be circulated amongst the Chicano community which is crucial when
trying to empower a big group of people.
Sanchez talks about Yolanda Lopez and her image of the man questioning,
who is the illegal alien? She portrays
an apparently indigenous man who is questioning the original migration that
occurred early on in colonial America.
It was interesting to learn how screen printmaking created a space for
Chicana artists to express themselves during the Chicano Movement. In her article, Sanchez talks about the
politics within the Movement and the oppression that women still faced. Many were fighting for Chicano right
alongside rights for women. Many
artists created these prints in order to empower women as well and trying to
break socially constructed gender norms.
Ester Hernandez creates an etch of the Virgin Mary as breaking away from
her usual altar and instead as a warrior.
The image of the Virgin Mary has help reinforce the oppression of woman
and therefore image was seen as radical at the time it was published.
Saturday, November 29, 2014
Quinceañera
Carmen Lomas Garza
produces such beautiful artwork that many of her pieces remind me of my
childhood and growing up in a Mexican American family. Her artwork usually contains more than
two or three people and I love that because it symbolizes our sense of
community. You do not have to necessarily
come from a big family in order to create a strong community. My favorite image from her collection
would have to be Quinceañera, where
she depicts a traditional Mexican party for a young girl. This celebration symbolizes
the passage to womanhood for a young Mexican girl. Having attended quinceañeras, this is usually what one would
find at this celebration. The girl
who is being celebrated is usually accompanied by couples, which Garza depicts
at the stairs of the church. Usually
the young girl must attend church before deciding to celebrate her 15th
birthday. In Garza’s image, the
father of the young girl is arriving with her to church in order to escort her
in. Children are running
throughout the stairs of the church, which is very accurately. Most of the time you will encounter
chaos at this event. In class we
discuss how sometimes Carmen Lomas Garzas’ artwork is perceived as “folk art,”
which was absurd. Simply because
she depicts traditional or family imagery does not make it “folk art.” Her style is artistic in its own way
and should not be classified as otherwise.
Saturday, November 22, 2014
Margaret Garcia
Dear Margaret Garcia,
Recently in our class we
had a classmate present on you and your artwork. Your artwork has been the best I have encountered so
far. My favorite piece of art is
the sleeping little girl behind the bright red background. It is just a beautiful painting and it
resonated with me because I have seen this image a number of times in the
community where I grew up. Walking
through the streets of my neighborhood I would constantly see children in
strollers with their mothers asleep.
The cheeks of the little girl are so enthralling that it creates such a
beautiful image. The other painting
that was demonstrated to us was the one of a woman and child also asleep. I guess you can say I love sleeping and
maybe that is why these images called my attention. I just love how serene people look when they are
asleep. Sleeping is the only time
that someone can be at peace without much on his or her mind. The use of color in your images is also
something that I love because I enjoy the intensity it brings to your
images. The brush strokes are
apparent in your images and I love it.
You are very talent and I would definitely buy the image of the young
girl sleeping!
Sunday, November 16, 2014
Response to Camille Rose Garcia post by Maria Delgado
I was excited
to see that I was not the only Disney fanatic in the classroom! Reading over Maria’s post,
she shared the same enthusiasm over artist Rose Camille Garcia. As I had previously stated I am a fan
of Disney and I tended to reflect that in the stencil that I choose for my
sketchbook. Also, it was
interesting to me that Maria knew the original twisted fairytales that Disney
changes in order for it to be appealing to a younger audience. I was completely unaware of these
fairytales until our classmate presented on artist Camille Garcia. I was pretty excited to learn these
original stories because I only knew the one concerning princess Ariel. Maria explains the tale of Snow White
and I did not ever know the tale, even though I spend a fair amount of time at
Disneyland! Even though Maria admires Garcia’s critique on Disney, I fail to
agree. Maybe I am blindsided by
the stories Disney tries to sell but I view Disney nurturing of people’s
childhood. Although it is unfair
to not present the original story, Disney attempts to protect the image of innocence
and childhood. It something that
enthralls me and I admire Garcia’s artwork. I would just have a difficult time showing these images to a
younger audience and having to explain the atrocities behind these fairy
tales.
Saturday, November 8, 2014
Laura Aguilar
This
week we learned about Chicana Artist Laura Aguilar and watched a video about
her regarding her artwork. As a
photographer, she captures images that include herself and nature. These images are usually captured with
her nude and her being a part of the natural surroundings. She is a queer female Chicana that
suffers from being overweight and embraces her body as such. The idea that she is comfortable in her
own skin resonated with me because this is something many people struggle with,
especially women. I believe her
work is meaningful because she demonstrates that any human body can belong in nature. Working in black and white before, she
also excludes the notion of race in her images. Watching her video, Aguilar recognizes that the work she is
doing is meaningful to other people.
She serves as an example that you can be comfortable in your own skin
regardless of your body type.
Images and photography as very prevalent in our current culture and I am
glad that Aguilar uses this platform to create her artwork. It creates a gateway for our current
generation to use images to create art and advocate certain principles. Being outside of the norm is okay and I
was fascinated with Aguilars’ embracement of such idea. Aguilar does not fit the social norm of
body types but she has learned to embrace that and instead create beautiful
images where her body is beautiful and unique.
Saturday, November 1, 2014
Patssi Valdez
The image that resonated the
most with me was the image of Patssi Valdez in front of the LACMA museum. It accurately presents the struggle
that many Chicano/a artists faced during this period. Much of their art went unrecognized for many years and was
not considered to be artistic. Most
of these artists actively participated in creating political art in which it
help mobilize the Chicano community.
Although artistic in its own way, many were not taken seriously until
there artwork help promote activist movements. It was interesting to me that Miranda shared with us
Valdez’s participation in ASCO. Given
the definition of this word in Spanish, referring to something in disgust, help
me understand Valdez’s activism.
To establish a group with such connotation was brilliant because at the
time many Americans felt disgust toward the Latino population. Their artwork was also seen with
disgust and they were not recognized as true artist. The image with Valdez in front of the museum showed how they
used graffiti in a different form.
Graffiti has a negative image in our society because it’s related with
law breaking and gang affiliation.
These artists used it to demonstrate that in order to be considered true
“fine” artist they must first break norms, and therefore graffiti the front of
the LACMA museum.
Thursday, October 23, 2014
Sketchbook Stencil
The stencil I decided to cut
out for our class was a representation of a Disney character. At first, I wanted to simply draw the
iconic Mickey Mouse face but I decided it against it. Although it is a universal representation of the Disney
franchise, I wanted to pick something more concrete. I am a huge Disney fan; I enjoy visiting Disneyland
constantly during my free time. The
only hobby I consider I have would be my addiction to the Disneyland
Resort. I constantly fluctuate
between Ariel and Belle being my favorite princesses therefore I decided to
make a stencil of Ariel. She
represents the transition a young 16-year-old girl must go through in order to
reach maturity. We currently do not
promote our teenage population to find Prince Charming and marry but she
symbolizes the challenges most young girls face when dealing with a parental
figure. I particularly like this
stencil because she is sitting on a rock looking out into the sun. I prefer this reflective Ariel to
others because it demonstrates that it is not always going to end with happily ever after. Disney avidly promotes this idea of
happy ever after, which fascinates me because it something that I somehow still
believe. Walt Disney himself was
such an interesting character because he advocated that people follow their
dreams. The Disneyland Resort
serves as a safe haven for me which is why I decided to depict a Disney
character, Ariel.
Saturday, October 18, 2014
La Virgin De Guadalupe
Although I did not grow up
with the image of the Virgin Mary, I did grow up in a community where this icon
was highly praised. Throughout our
community people celebrate her highly and correlate the Virgin with everything
positive that occurs within the community. For instance, when the Mexican national soccer team wins a
match, people will roam in the streets with the Mexican flag and the image of the
Virgin to signify a miracle she must
have caused. I do believe that the
legend of this icon has been reinterpreted in order to fulfill the goals of the
Spanish Conquest. It sought to convert
the indigenous populations of Latin America into Catholicism. It was successful in doing so and the
image of the Virgin Mary was created and developed for this purpose. The legend itself is questionable
because as Professor Lopez mentioned in class, we have no written records of
such miracle ever occurring. Maybe
the Church did not intentionally create this image as a tool of conversion but
it did help them. The Virgin Mary
can also be found throughout people’s skins, tattoos. She is seen as a protection for many and provides a sense of
comfort to many Mexicans. We
constantly see her depicted along side the Mexican flag and more recently the
American flag.
Saturday, October 11, 2014
Romo, Jennifer
My name is Jennifer Romo and I am currently a senior at UCLA. I am a Political Science major, with a
minor in Chicano/a Studies. I will
be applying to law school this year and hope to work as a public attorney. I do not have a particular hobby,
except going to Disneyland constantly.
I work extensively therefore do not have much time to acquire a
hobby. I am a first generation
college student; both my parents were born in Mexico. I grew up about 15 miles away from UCLA therefore I am very
familiar with our local Latino communities. Being a part of the Los Angeles Unified School District has
also exposed me to much of the inequality that many Chicano students face. In high school, some of my classes were
at about 48-52 students per classroom, per teacher. Many of the resources allocated in the district created a
direct disadvantage between schools.
This puts a burden onto many of the students I attended high school
with, because many feel disempowered.
I did not have any intentions in minoring in Chicano/a studies but
learning about how Latinos impact and will impact the politics of the United
States is important.
In Gaspar de Alba'a piece, Out of the House, she immediately addresses the issue of gender, race, and class. Why must we consider the gender issue when discussing the Chicano Art Movement? Did we face the same obstacles, as women, during the Chicano Movement?
In Gaspar de Alba'a piece, Out of the House, she immediately addresses the issue of gender, race, and class. Why must we consider the gender issue when discussing the Chicano Art Movement? Did we face the same obstacles, as women, during the Chicano Movement?
Wednesday, October 8, 2014
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