Furthermore, as I closely saw the figure of "La Llorona" on the far upper right corner I realized how intimate these cuentos are when being shared with us. Lomas-Garza is definitely alluding to the way in which our elders use detailed and exquisite language when speaking to us. I know this is something prominent in the way my abuelit@s told me stories because I was always able to imagine them in the back of my head. This was a way for me to build an alternate world within their tongues as they spoke to me and build something beyond the physical.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, November 29, 2014
La Llorona by Carmen Lomas Garza
Furthermore, as I closely saw the figure of "La Llorona" on the far upper right corner I realized how intimate these cuentos are when being shared with us. Lomas-Garza is definitely alluding to the way in which our elders use detailed and exquisite language when speaking to us. I know this is something prominent in the way my abuelit@s told me stories because I was always able to imagine them in the back of my head. This was a way for me to build an alternate world within their tongues as they spoke to me and build something beyond the physical.
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