Saturday, November 15, 2014

Week 6: Response to Jaclyn Hernandez’s Post on Laura Aguilar




Hello Jaclyn!
I found your statement very accurate that finding of our own identity is an ultimate challenge in our lives, and Laura Aguilar has perfectly overcome this challenge. I am not sure if her photographs should be categorized as Chicana, “non-traditional,” or post-Chicana art; however her works carry strong messages which go beyond all physical borders.
 It is interesting to me that you chose Three Eagles Flying, over her other photographs with nature, as her best work. It definitely sends the message to all people whom had the same conflict, to feel being related to both cultures and simultaneously being trapped by them. In this piece, her legs are wrapped in the rope so she cannot move; her hand are wrapped so she is powerless to make a change; her face is covered so we cannot recognize her; and her breasts are exposed so we know that she is a woman. Therefore, Jaclyn you have a great observation of this image which indicates that her identity, body, and femininity are strongly entangled with both American and Mexican cultures.  
As you mentioned her face is covered in Three Eagles Flying, I just noticed that we cannot see her face in most of her photographs. Maybe through this ambiguity, she wants to encourage people with the same difficulties to love their true selves and follow her path.    

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