Chicana printmakers work does not have to reflect a single
experience, or a single identity. Rather, prints reflect a multitude of experiences
that address a multitude of identities. As the production of print making
enables mass production, thus reaching a larger population, print making has
the power to be a political gesture. In class last week we began to discuss
work by Favianna Rodriguez. Favianna’s work brings feminist ideology into
conversation with Chicana identity. Her pieces perfectly blend this
cross-sectionality of multiple identities in print form. I love Favianna’s
work. Not only do I love the aesthetic, but her prints feel so relatable while
making such a political statement, approachable but powerful. She truly takes
her personal experiences and situates them in a political framework, reaching a
large audience because of the innate nature of the medium of print making.
While I love all of her work, one of my favorites is her Occupy Sisterhood
image. This image, along with many of her other prints, uses minimal but vivid
color choices coupled with powerful bold words. I so appreciated that this
image calls to attention that oppressive forces on women are not limited to the
female experience— they affect everyone.
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