What
this painting really conjured in me is the power that skin color has on the
communities of color. The painter who is light skin is being given a hard time
for lacking the physical characteristics of being Mexican, yet the scene
shows a desperate woman going to lengths at burning her mouth to prove that she
belongs. I personally believe that this type of behavior from family members or
community leads to alienating lighter skinned members of the family. Alienation
by setting them apart from others keeping them from feeling that they belong. Treating
them as outsiders, and sometimes even encouraging them to pass as white. I personally
believe that physical characteristics are not what determine who we are or what
we should identify with. It is our connections and experiences with the family, our pasts and community
that help us with determining our identity; it is with the help of our traditions
and values that help us identity within society and not solely our physical characteristics.
To encourage light skinned members of society to pass as white is to take away
from them their culture, a Mexican identity and even their language. What this
painting revealed to me is a woman who is painfully reasserting her Mexican
identity, which in my opinion should not be necessary, and should be accepted
for what she feels comfortable with.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Saturday, November 14, 2015
Milk the Pass, by Barbara Carrasco Week 7
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