I chose the quote, “By emphasizing that the
consequence of ‘‘disloyalty’’ is eternal condemnation or isolation, the legends
are used to socialize women into traditional roles, control their conduct, and
define what constitutes Mexican femininity,” from chapter 1 of the Blake reading.
This chapter describes how La Malinche, La Virgen, La Llorona, and the Mexica
goddesses have been respresented and the effects of the discourses regarding each.
I chose this quote because it really sums up the purpose of these legends and
figures. It seems almost reflective of Christianity where the discourses regarding
women surround motherhood and traditional roles of women. The stories scare
women to follow societal norms of being only a wife and a mother without any
type of sexuality. La Malinche, La Llorona and the Mexica Goddesses depict examples of “bad moms”
or nonconforming, “deviant” women. La Malinche is the whore and traitor for sleeping
with the enemy. Why is the fact she was Cortez’s property ignored? She probably
did not have much choice. Blaming her for the downfall of the Mexica gives her
the Christian role of “Eve.” They paint her out to be the evil one who ruined
everything much like Eve is looked at as the one who forced Adam to eat the
apple and disobey God in Christian stories. La LLorona is depicted as a bad mom
to socialize women to fear being a bad mom because it leads to condemnation
from family and society. La Virgen is an example of a “good mom” constantly used
to teach women that they should be mother figure and wife, who is passive and serves
their husband. The use of a virgen as a mother symbol also teaches women not to
be sexual beings. These stories essentially reinforce social norms for women
and scare women away from becoming independent women who are not obligated to
be great mothers and wives. The problematic reinforcements created by these
symbols illustrate the need for refiguring of them to better empower women and create
less restricting ideologies regarding te roles of women.
This is the blog for the UCLA Chicanx Latinx Art and Artists course offered by the Cesar E. Chavez Department of Chicanx Central American Studies (CCAS M175, also Art M184 and World Arts and Cultures M128). This course provides a historical and contemporary overview of Chicanx Latinx art production with an emphasis on painting, photography, prints, murals and activist art.
Friday, April 13, 2018
Blake (Ch 1): "By emphasizing that the consequence of ‘‘disloyalty’’ is eternal condemnation or isolation, the legends are used to socialize women into traditional roles, control their conduct, and define what constitutes Mexican femininity"
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