Yolanda Lopez’s work is powerful in that she analyzes images and manipulates or exposes them to create
discussions about Chicana womanhood. Yolanda Lopez’s views are greatly
influenced by her family. Her grandmother and mother were figures that redefined
what it meant to be a mother. In her work on La virgin, she examined the image
of the holy mother and created works that questioned the expectations and
restrictions placed on women.
The mixed-media
piece, Walking Guadalupe, was made by
Lopez in 1978 and is a perfect example of how Lopez’s family and feminist
approach has shaped her work. The piece displays La Virgen de Guadalupe with
her dress cut just below the knee and wearing heels. Davalos describes how
Lopez’s grandmother shaped her use of wit and satire in her work. Walking Guadalupe, as stated by the
author, was intended to create a “wrinkled-mouth chortle” by the viewer and
illustrates how Lopez’s grandmother influenced her sense of humor in her art
(Davalos 20). This use of satire strengthens her work by adding a comedic
relief to the message she is trying to make by freeing La Virgen. Simply
placing La virgin in heels does not seem like a big deal but is symbolic and powerful.
To me, La Virgen is made free to enjoy herself and no longer obligated to be on
the pedestal as the perfect mother and wife; she has her freedom
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