Judith Baca’s Murals are
interesting to look at and note all the small details and images. The use of
color in her murals brings them to life. One mural I found particularly
interesting, besides The Great Wall
of course, is a panel from The World
Wall, titled Nonviolent Resistance.
The image includes five activists together arm in arm to resist the Gulf War
and the destruction of land caused by fossil fuels. Behind them are industrial
pipelines, gas masks, and debris. The background also is painted in a red hue
suggesting blood coming from the land. The activists seem to be of all ages and
are powerful looking minorities fighting against power structures. They are
situated in front in in active stances which creates a tension when combined
with their determined faces. This piece discusses the loss of care for out
world with the damage to the land behind them. America, as a country, is
obsessed with war and power, which is illustrated by the use of tanks. I
thought this mural was interesting because, though it was created in 1989 it
actually relates a lot to the Dakota access pipeline that was being resisted by
native Americans in 2016, who were also trying to protect against oil pipelines
being put into to their ancestral lands. This protest was also a nonviolent
resistance that was met by violence to the protestors by police officers. It’s
crazy how a political piece, like Baca’s, can still be relatable years later. History
seems to repeat itself and art has a record of that.
The way that the red and darkness flows on to the resisters it seems to implicate violence assaulting the bodies of non-violent protesters. This sheer destructon and violence depicted is visually overwhelming(I mean it takes up most of the space in this shot) but what's poignant to me is the power of the protesters. They alone are halting the flow of destruction through both their bodies and sheer will.
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