Week 2 Cara essay

Week 2 Cara essay 

After reading the Cara essay by Professor Alicia Gaspar de Alba it was shocking to see the discrepancies between gender and race in the art industry in the chicanx community. Specifically the limited amounts of women that were recognized with the public art limits their voices produced in the world. The goal of this chapter was to highlight the diffracted levels of gender equality within the Chicano ary community. There were a variety of levels showing discrepancy to women and the recognition of their work. As Alicia Gaspar writes, she highlights how the inequalities reflected in the artwork featured only excluded art, for example a group such las Mujeres Muralistas. These women of Mujeres challenged sexist and stereotypical ideas during the movement, which allowed the call for controversy within politics during this era.. In the course of the Chicano Art Movement, there was simply no regard for women’s concerns and if women had their artwork highlighted, it was indeed a small percentage. In fact, during the CARA exhibition there was a complete domination of men artwork featured and just exemplified the artistic notion coming from the hands and voices of men. On a larger scale, this reflection in the exhibition showed a representative image of class between men and women in the chicano community. In these cases, the women were seen to be below or second to the man and during the movement, these women were facing oppression. So they indeed were seeking liberation, which ultimately spurred them to band together amongst the idea of feminism.