Week 10: Reflection

This course has brought forward a lot of learning as I’ve been able to obtain knowledge about Chicanx Art and artists. Reviewing a variety of concepts, there was always just so much to gain.

Throughout the quarter, I have found myself constantly reflecting on different works but those of Carmen Lomas Garza stood out the most. Not only was her art beautiful, but it was also so incredibly intimate. It was so inspiring to hear about her experiences and how culture contributed to them. When reading about her career and reviewing her artworks, I found so many similarities within my own life. While I’ve always known that I share similar experiences with others, I’ve never truly seen them represented in society, much less in the world of art. I think my lack of understanding and general knowing of the art field might have contributed to not being aware of this representation. And perhaps, I had not researched enough on my own to learn about them. But also, I think oftentimes artists are not highlighted enough. If it wasn’t for this class, I’m not sure that I would have learned about Carmen Lomas Garza and all the other artists we covered.

All artists are unique but when learning about those who come from your communities, and those who grew up like you did, it is very heartwarming to see them thrive and be so successful. It is even more touching to see how to give back or honor the communities they came from. With Carmen Lomas Garza, one can see the great appreciation she has for her culture, and we can notice how it may have shaped her experiences. This then allows viewers to approach her works differently. It allows them to relate. I think that’s one of the great things about art, that it's another form of communication and connection. Moving forward, I hope to learn even more about Chicanx art and artists, perhaps I can even seek out those from my own communities.

Week 8: Chicano Art

In Chicano Art: Looking Backward, Shifra M. Goldman discusses the evolution of Chicano art and artists as they enter more mainstream settings. By analyzing art exhibitions Califas and Murals of Aztlan, Goldman is able to comment on how they fail to represent the true nature of Chicano art. In reviewing the exhibitions, she notes that both made “no attempt to present a chronology of the movement or of the artists” (437). By not doing so, they failed to demonstrate the progression of the Chicano movement and instead focused on showcasing older Chicano artists. In addition, Goldman observes how artworks become more about profit when artists enter mainstream establishments. This, in the eyes of Goldman, breaks away from the traditional settings of Chicano Art.

    When reviewing Murals of Aztlan, I found it very interesting how she mentioned the importance of space when creating art. For street murals, specifically, she states that the art must be placed in areas that are accessible for the intended communities. Beyond that, the subject matters covered within the art should be meaningful to the residents of the environments where it is placed.

    Judithe Elena Hernández De Neikrug, a participant in the Murals of Aztlan exhibit, shares her response to Goldman’s exhibition review. She expresses that naturally, it makes sense for Chicano art to mature and change with time. She also believes that she has a right to financial rewards for her work because of the efforts that were put into getting that far in her career. While she receives these benefits, she explains how it is unfair for Goldman to discredit her loyalty to the Chicano movement. She, and many other artists, still find ways to pay tribute to the cause.

   While I am not an artist, I found both perspectives on these matters very insightful as they showcase different approaches to Chicano art.

Week 7: Graffiti Is Art

    In Graffiti Is Art, Charles "Chaz" Bojorquez elaborates on the art form through his own experiences and by giving historical context of its evolution. He comments that through their art, individuals are able to develop their voices, finding new ways to share their vision. He also went on to express his thoughts on society's views of graffiti art. Oftentimes, graffiti is perceived as violent as many make connections to gang affiliations when viewing the art form. Bojorquez, however, demonstrates that there is a more complex approach when it comes to graffiti. It came about as individuals were trying to discover their own identities, and as time goes on, artists are able to expand on their individuality.

    As someone who has grown up constantly seeing the art form, I found myself relating to Bojorquez's comments but also became enlightened on the intricacy of graffiti. I found it very inspiring to learn about his insight. While I have always found myself captivated by graffiti, throughout this article I came to appreciate the work that surrounds me even more. Here in Richmond, Ca there is a large presence of graffiti. In more recent times, we see more and more collaborations with the youth allowing them space to share their creativity. All throughout the city you see these beautiful and colorful works with their own message. One thing I’ve noticed is that they demand to be seen. Many works are purposefully placed on main streets becoming exposed to many. Even works that are meant to be “hidden” in abandoned buildings are well known. While there is a stigma regarding graffiti, it is still appreciated by many and becoming more and more known with younger generations. 

    Bojorquez stated that “Graffiti art cannot stay the same; even the graffiti movement can’t stop it” (121). As life goes on, I hope to experience the evolution of graffiti within my own community. I want to see it change. I want to see it grow. 

Blog 6: Rasquachismo

Rasquachismo can be used to define the approach one takes on rather than be described as a sense of style or idea. It cannot be learned as it is a taste one acquires as they move through life. Rasquachismo is developed as a response to the reality often lived by the working-class. As Tomas Ybarra-Frausto explains, rasquachismo is “an attitude rooted in resourcefulness and adaptability” (85). We often see individuals reuse items to make do with what they have.

In my own experience, I have seen my tío José collect items he can repair and then sell to others. Specifically, he has worked with furniture that individuals throw out on the side of roads or items sold at garage sales. For as long as I can remember, he always could make such beautiful works out of things discarded by others. When working for a company in San Francisco, he would tell me stories of how the wealthy would remove just about anything that didn’t satisfy them. It didn’t matter how much money was spent to attain it or the condition of things, once these items no longer served a purpose they had to be removed. We were always left in disbelief by how easily they could come into the possession of items and just as easily get rid of them. Noticing their approach to situations, my uncle often feared that they could respond to him or others in the same way. Although he had a full-time job, he always set aside time to do his own work. It was during these times in which he would repair furniture. He would always say that although beauty may not be apparent in something, it does not mean it isn’t there. That is why he makes his best effort to repair what others may think has no value. He is a big inspiration for me and I hope to carry his teachings with me as I navigate life.

Week 5: La Virgen De Guadalupe

La Virgen De Guadalupe has always held a prominent role in my life but over the years, my perception of her has drastically changed. As a child, I remember constantly seeing her image demonstrated all over my house and throughout my community. My family, being very Catholic, devoted a lot of their time to her and celebrated her whenever they could. They had these very traditional views about her and what she represented which they later passed down to me. However, I never much cared for my religion or the church growing up. I understood why my family felt so drawn to it. They needed something to believe in, something that would give them hope. I was never able to find that sense of hope. The church oftentimes shared ideas that went against me and everything I stood for. I found it extremely difficult to dedicate a part of myself to that place and was often shamed for it. That prompted a very rocky relationship between me and my parent's religion. Although I didn't care much for their beliefs, my family still demanded I accompany them to church. Within these spaces, I had to find something that would keep me from going insane. La Virgen De Guadalupe was always a figure I felt very drawn to. During a time when I so desperately needed something to help hold me together, she was there to provide comfort. Since then, I have always made sure to keep images of her around me. I have photographs of her around my home and even wear a pendant of her around my neck. There is just this welcoming energy about her that has always captivated me. My relationship with La Virgencita holds great significance as I hold a lot of appreciation for her. Just seeing her, I feel safe and at home.

Artists Selection: Misty Avila Ovalles

Mitsy Avila Ovalles (1978-present) is a Mexican-American painter known for her collage-type works and portraits of Latino celebrities. 

Mitsy Avila Ovalles was born on July 1st, 1978 in Santa Clara, California. She is the daughter of Mexican immigrants and grew up in San Jose, California. Having a deep appreciation for the arts, from a young age she’s had aspirations of becoming an artist. These wishes were realized in 2004 when she officially received her BFA in painting from San Jose State University.

Mitsy’s identity is probably the greatest contributor to her art as she often pulls from many

autobiographical moments to produce artworks. Her works are also influenced by Mexican and American pop culture, celebrities, food, and other aspects of her lifestyle. Being a Dodger fan, she also makes sure to include sports in her projects. Beyond these influences, Ovalles is also able to compose art based on events that occur within the society and her community.

With the range of her artistic palette, she is able to incorporate a variety of mediums into her artistry. Some of these mediums include painting, sculpting, crochet, digital, wood-burning and many more. Often, she crafts her own objects which she then includes in other pieces. 

Her creations have been showcased in various places around the globe including San Francisco, Los Angeles, and Mexico. 

Week 4: ¡Printing the Revolution! Exhibition Preview

    While watching ¡Printing the Revolution! Exhibition Preview, I found myself inspired by the artists featured on the panel. Juan Fuentes, Ester Hernandez, and Zeke Peña shared their experiences and inspirations for creating their works, many of which centered around social justice issues. They also spoke on the evolution of Chicanx art and how it has become what it is today.

    The way Juan Fuentes and Ester Hernandez spoke about the new generations and the inclusivity present among them was very important to me. As the world around us is constantly evolving, we as individuals find new ways to grow. Noting the actions taken during the 1960s and 70s during the Chicanx civil rights movement, we can see how works sparked conversations and shed light on important situations. Similarly today, there are so many people out there holding the discussions which still need to take place such as the Black Lives Matter movement, for example. They also noted that with the incorporation of new technologies, individuals are able to get messages out in a quicker and more effective way. The ways for communities to come together and continue to fight for change are continuously growing.

    I also found it very heart-warming to see Zeke pay tribute to Juan, Ester, and others who paved the way for new artists to emerge and contribute to the community. While everyone has their own approach, it is very interesting to see how different groups of people can take inspiration from one another and appreciate the work they’ve done. Beyond that, it’s also interesting to see how these communities can gather together and unpack different concepts. While there is much to appreciate from older generations, there is also a lot that is left unaddressed. This being said, to be able to create an atmosphere in which these dialogues can be held and acknowledged is a great advancement.

    Overall, the comments shared throughout the video served as a reminder that while circumstances may change, there are still so many opportunities to advance.

Week 3 Post: Artist Barbara Rivera

 Barbara Rivera is a self-taught artist from San Jacinto, California. Daughter of a political refugee from Cuba and a Mexican immigrant, she recalls her beautiful yet challenging upbringing. She grew up with an older sister and two younger brothers. The constant love and support she received from those around her contributed to her delightful childhood, making her unaware of the family’s economic struggles. Still, she faced many hardships. In 2001, she lost her father to a tragic car incident along with her sister and brother-in-law. Her father was a great motivation for her and she made sure to include his values in her work after his passing.

Rivera’s love for the arts began at an early age and persisted over the years. She recalls doodling during class as a child. It wasn’t until high school that she actually took courses relating to drawing and painting. As Rivera got older and began working as a high school secretary full time, she still enjoyed coming home to paint during her free time. During her forties, after her kids went off to college, she was able to realize her passion for painting. With the support of her family, she nourished this dream which would eventually take off as a professional career.

Moved by her surroundings, Rivera works towards expressing the energy of the world around her with the use of vibrant colors. She takes much inspiration from her cultural heritage, life, and nature which she aims to capture in her paintings. She also enjoys exploring events or fairs to feed her creativity. Oftentimes, she photographs children and other adults to later use in her work. Rivera also hopes to inspire others to think about their journeys through life and feel encouraged to share them.

Art:

 

Sources:

• https://palaciomagazine.com/barbara-rivera/ 
• https://fineartamerica.com/profiles/barbara-rivera?tab=about
• https://barbarariveraart.com/about-the-artist/

Trejo Resendiz, Andrea - Week 2

In what ways has Digital Art inspired Latinx artists and their audiences? Is this an effective way of sharing their art? 

Digital Art has inspired Latinx artists and their audiences in various ways. The integration of digital art forms has encouraged artists to expand their pallets as they experiment with new mediums to not only create but share their art. As technology advances and things become more and more digitized, new audiences and platforms are able to arise. The creative spaces which take place on the web, then, become more interactive. This opens opportunities for artists and their audiences, giving space for more intimate relationships to exist. Artists are able to either create their own websites or publicize their art on different social media platforms. As electronically developed and distributed works reach new locations, art becomes more and more accessible. Through the media, people are able to research their desired interests and learn about them on their own time. Favianna Rodriguez is one artist who created her own artist website (Favianna.com) where she has instructional videos, free art downloads, and even includes educational materials on how to stencil one’s own protest banner. As Zapata mentions, Favianna also encourages others to create their “own movement media.” With all of this, the possibilities become endless! 

This has become an effective way for artists to share their art, especially today with Covid, as now there are multiple outlets they can work with. Beyond that, these platforms allow artists to collaborate with their audiences. This is especially important for artivists, such as Julio Salgado, Oree Originol, Jesus Barraza, etc., who incorporate people within the community into their work. The spaces are essential as communities can come together and conversate about events that correlate to the art being distributed. It is crucial for the voices of communities directly affected to be amplified and even more vital that the art be accessible to those who inspire it.

Trejo Resendiz, Andrea

Hey everyone! My name is Andrea Trejo Resendiz, but you can call me Drea. My preferred pronouns are she/her/hers. I am originally from Mexico City but grew up in Richmond, California. I am currently a third-year Chicanx and Central American Studies major with a minor in Spanish. Being a first-gen student, my college experience so far has been interesting, to say the least. Navigating higher ed. in an institution such as UCLA has not been easy but I have learned to take every day as a new learning experience. I’m not quite sure what I’m doing with my life, or where the universe will guide me in the years to come but I am at peace. I simply live day by day, trusting that what is meant to be, will be. Still, I’d like to share more background on me.

    I come from a large and rowdy family so chaos is nothing but the ordinary to me. Given these circumstances, I constantly found myself seeking peace within all the madness growing up. This sparked my interest in the arts as I was able to find tranquility in them. I often turn to photography, painting, reading/writing, and music whenever I’m feeling overwhelmed. What I love most about these areas of interest is that anyone can partake in them, sharing their own voice and experiences. Much can be said within a single photo, song, painting, drawing, poem, or any other form of art. Beyond that, these works allow room for interpretation as we encounter them, resonating with whatever fits. Due to this, I found myself very drawn to this class. I hope to expand my knowledge of different forms of art and learn more about how they can be used to advocate for different causes. 

    There is great power in the gifts we share with the world around us. This is why I found this week’s reading to be very moving. In her work, “¡Printing the Revolution!” E. Carmen Campos discusses how individuals used their art as a way to assert their identity and promote activism. What stood out to me the most about the reading was how individuals took inspiration from other artists/movements and supported them. Bringing the works of others to new areas allowed for even more people to be exposed to their styles and informed on different events. This also allowed for various communities to build networks. The 1974 exhibition on Cuban graphic art in the Bay Area, for example, allowed for others to learn about the strategies used by Cuban artists. It was very touching to see this sense of community. I am very excited to see what else there is to learn!